
(Henry Darrow as "good" Manolito)
Henry Darrow portrayed Manolito Montoya, the only son of a wealthy Sonoran, Don Sebastian Montoya. His sister, Victoria, marries John Cannon as part of a mutual protection agreement between Cannon and his father, and Manolito accompanies them back to the High Chaparral to assure that she is treated properly.
Although he is part of the family, Manolito gets along well with the "bunkhouse boys" and does his share of the work as though he were one of them. Never one to miss a chance to enjoy himself, he could be counted on for trips to Tucson for some rest and relaxation. An acknowledged "ladies' man", Manolito usually finds himself an accommodating señorita to help while away his leisure-time hours. His father despairs of him ever truly growing up, but beneath the happy-go-lucky attitude and behind the laughing eyes, there dwells a man of fierce honor, loyalty and bravery. He never hesitates to come to the aid of a friend or stick to his convictions, and often endangers his own life to save someone else's.
Much of what he is, he inherited from his father ~ his independent thinking, his stubbornness, his love of trickery and his excessive charm. What he does not inherit, much to the chagrin of Don Sebastian, is his father's passion for his land. Instead of living at the Rancho Montoya and preparing to assume his place as the future patron, Manolito runs free, seemingly desperate to do anything but assume that place that his father wishes for him.
It is this wild roaming that makes Manolito such a compelling character. The son of landed gentry, he chooses instead to accompany his sister when she marries the rancher John Cannon. In Cannon he sees a strength and far-sightedness, a larger than life quality, that he cannot find in his proposed life in Sonora. Manolito is looking for something, something that he cannot put into words, but something that he knows he'll recognize when he sees it.
His restlessness of soul manifests itself in many ways, but most often in his pursuit of women. Manolito has the personal charm and good looks to turn the head of most any woman he meets, and he knows it. His charm and confidence ensure that he is never lacking for female companionship, whether of a respectable or disreputable kind. This appetite for the ladies has made the rift between himself and Don Sebastian even wider, for his reputation is such that no respectable marriageable woman would ally herself with him.
Yet Manolito is not a one-dimensional man. He is intensely loyal to his family and his friends, and has demonstrated this loyalty more than once risking death. He is courageous; not in the devil-may-care way, but in a measured, thoughtful way. When he rides into a life and death situation, he knows it, because he has chosen to do so. He is also a compromiser, a peacemaker, and this is best demonstrated by his attitude and treatment toward the Apache people. He understands their desire to be free on their own land, and he respects them. He is a tireless translator between John and the neighboring tribes, and advocates their fair treatment at every turn.
He also enjoys the dubious pleasure of being reasonably friendly with the very worst sort of men in Sonora. All the comancheros seem to know him and greet him as a long lost brother. There are allusions to his even having ridden with some of them, which renders details about his past unclear and alarming. Manolito is not a cruel man, but he is capable of killing, whether with a knife or a gun. He is not a man to betray lightly, despite his seemingly nonchalant attitude.
Whether playing poker in a saloon, wooing a potential conquest, breaking a political prisoner out of jail, cradling a lost child in his arms, or waxing philosophical beneath the stars, there is nothing simple about Manolito Montoya. He stands tall with the Cannons; formidable, discerning and loyal, yet restless, self-indulgent and ever searching--a collection of contradictions hidden by a pair of warm brown eyes and a roguish smile.
~ (Thanks in part to Lisa McKenzie for this description)

(Henry Darrow as "bad" Manolito)